Rhetorical Inclusiveness
I take issue with the very idea that it need be some sort of marketing or political strategy, some sort of acquiescence to irrational demands that someone represent or treat people of color with sensitivity and respect. Yet in the case of Tithe, I am left wondering if that was not exactly the point.
The High Concept of Fate
Who Fears Death, for its fatalistic structure, could have easily fallen into the trap of giving the overall plot precedence over the characters. Yet, on the contrary, the vast majority of the book was spent developing the characters as they traveled – no, were pulled along – towards their fate…
The Villain’s Niche
While we exalt or vilify real life figures, we know deep down that people are more complex than what their words or actions tell us, or what great good or great evil we might wish to project upon them. By contrast, heroes and villains also make things easy on us: they are easy to love and support, or easy to hate and blame for all that is wrong with the world…
A Note of Discord
Follow the Waves, written by Amal El-Mohtar, is a story filled with gorgeous, rhythmic language, of the sort to be expected from someone who is a poet first. It seems that nearly every paragraph is layered with multiple meanings, and contain phrases that we could even call verses…
Reality Shift
We take it for granted that our perception of reality is grounded in some objective truth. We do not even consider the possibility that there is no such thing, that instead “reality” is composed of a multitude of overlapping spheres of perception, the shared spaces together making up those aspects of reality that we agree upon – the collective consciousness, to give it another name…
The Misrepresentation of the Magical Negro
It is one of the oldest clichés that the “forces of darkness” will set upon that which is good and “light”. In a medium where the heroes are most often white and characters of color – especially black characters – are reduced to plot devices, and in a society where power is designated along lines of “light” and “dark”, the old trope is necessarily racialized…
The Battle for Brain Space
An analysis of Neil Gaiman’s American Gods — As the battle for “brain space” rages on, with each new scientific innovation, new interpretations of history, shifts in culture and society, we must reconcile these changes with the deep-seated desire in all of us to hold on to some part of our pasts…
Shapeshifting and the Locus of Self
The concept of self as a collection of interchangeable parts is consistent with our existential freedom to “reinvent” ourselves, once we recognize that we have the ability to do so. We can change how we interface with others, our outward appearance, our language, our gender, even to a point our “race” – at least with respect to our own internal concept of self, apart, if not completely removed from the perceptions of others…
Coyote Kings and the Cost of Civilization
Heinz Meaney’s implication is that our final advancement as human beings will be predicated upon the annihilation of the world itself. Faust seems to be suggesting we look at our “highly advanced” civilization for what it is – violent, invasive, and ultimately destructive….
Multi-Purpose Exposition
We view the sunset through a different lens – one of morose, even pessimistic contemplation. The sun is not merely setting to rise another day, it is dying. The clouds are torn, suggesting that their condition is not natural, but has been inflicted upon them…
Exclusion and Fetishism
For all “darkness” figures into the thinking of fantasy authors, it is conspicuously absent from the features of the characters. Except the “dark lords” and such, who play off of the fact that darkness equates to evil in the white literary imagination. Tolkien took it a step further, equating not only darkness with evil in the abstract, but designing his evil characters – goblins, trolls, and the like – with Africanesque features…
Identifying the Indian Killer
Alexie points a finger at the self-satisfying ramblings of white liberals, who for all they may understand intellectually, lack any real personal understanding of the Indian condition, or of the fact that there may not even be any such monolithic condition…
Evoking the Senses
Within the context of the novel, these details, which might be applied to say, a cooking accident in another book, convey so much more than just how the characters physically experience the world. They express all the tension and urgency of high stakes conflict and even combat, all without mentioning any of those things explicitly.
