10 Tips on How to Include Black People
Diverse representations of black people in media has nothing to do with “political correctness”. It has little to do with fairness, either. This is not a zero-sum game by which black gain equals white loss. What it concerns, most significantly, is the acceptance of this proposal that Black Lives Matter. That Black People Matter. Black representations are a matter of survival. Of casting us as fully-realized human beings with thoughts, feelings, dreams, aspirations, complexity, agency — against a backdrop that explicitly shows and tells us (everyone) that the opposite is true.
The Return of Fear Effect and Fears About Its Effect
Fear Effect is coming back. Have you heard? After the heartbreak of Inferno’s cancellation, and a 15 year wait with no new game in sight, French indie studio Sushee Games is creating Fear Effect: Sedna. Concerned about representations of Inuit peoples in the game, I decided to contact Sushee Games about how they would handle the use of Inuit aesthetic, cultural stories and history.
Video Games Can Never Be Art
I have argued in the past that video games are the ultimate form of expression, and what is art if not expression? Indeed video games are a convergence of art from just about every medium – audio, visual, literary – and their social impact is ever-increasing. Ebert makes his statement by observing video footage of a few games offered up as art, already prepared to deny the possibility. Aside from the sheer fallacy of denying art as a form of expression, there is also the matter of his evaluation not being made from the proper standpoint.
Inclusion Without Color
In spite of the near unanimously European-inspired cast of characters, Dragon Age: Origins demonstrates inclusion of diverse experiences in ways that no game has ever done before. Bioware has again established themselves as a trailblazer in an industry that so far has shied away from challenging the status quo or tackling tough issues.
Uncharted 2 and the Burden of Awareness
Once upon a time, I was able to just play video games and enjoy them. I didn’t see race, I didn’t see cultural issues, or gender issues, or anything. Games, after all, were my escape from such heady things. But now I can’t help but notice them. There is hardly a movie or a game or a book where I’m not looking for and easily spotting a slew of cultural insensitivities and outright offenses that can only be attributed to the obliviousness or indifference of white game developers.
Black, White, and Jade: Race in Video Games
At a glance, some – if not most – people would question whether or not Jade qualifies as “black” in any sense. Arguments could be made for virtually any ethnicity as her appearance is quite ambiguous. The only solid support for Jade being a “black” heroine is in looking at the original concept art, which featured some earlier renditions of Jade with either locks or braids in her hair, and features more commonly associated with certain peoples of Africa.
Ethnic Depictions in Video Games
Those of us who are not white, but hope to identify with the characters we play in games the same as anyone, find the industry to be deficient. At best we have had to settle for ethnically ambiguous characters, often in non-Earth settings, which while fulfilling an aesthetic need still leave players wanting for a more substantial connection. When characters of non-European ethnicities are depicted in video games, it is true that they are often stereotypes.
